Rollercoaster
Rollercoaster

2021
Acrylic paint, coloured pencil, plywood
40cm round

Greedy
Greedy

1992 – 2022
Printed street poster, acrylic paint
Collage, watercolour pencil
114.5 x 97 cm

Dodgy
Dodgy

2022
Acrylic
90h x 30w x 3d cm

Speech Patterns installation view
Speech Patterns installation view

2022
AGWA, Jon Campbell and
Nadia Hernandez

HOT (pink circle)
HOT (pink circle)

2021
Acrylic paint, linen
50.5 x 40 cm

Your best is good enough for me
Your best is good enough for me

2023
Acrylic paint, linen
180 x 240 cm

Driving in 78
Driving in 78

2003
Enamel paint, enamel marker, paper
59.4 x 42 cm

Fuck knuckle
Fuck knuckle

2019
Acrylic paint, linen
214 x 140 cm (unstretched)

It is what it is
It is what it is

2022
Installation view, Darren Knight Gallery

Calm as a cucumber
Calm as a cucumber

2023
Acrylic paint, linen
150 x 150 cm

What are you fuckin lookin at
What are you fuckin lookin at

2014
Lithograph, ed 20.
76 x 56 cm

Peace and Love
Peace and Love

1991
Acrylic paint, collage, pencil, cottonduck
182.5 x 60.5

Your application was unsuccessful
Your application was unsuccessful

2022
Acrylic paint, linen
167 x 243 cm
Collection - AGWA

Jon Campbell & Darcey Bella Arnold
Jon Campbell & Darcey Bella Arnold

Land-scape
2001 – 2022
Digital print, acrylic paint, collage, cottonduck
67 x 52 cm

Jon Campbell & Nell
Jon Campbell & Nell

Gone to see…Dog/Cat
2021
Acrylic paint, mixed media, canvas, linen
110 x 160 cm

Backyard. 2021
Backyard. 2021

Laser cut mild steel plate,
2 pac gloss automotive paint
Rolled steel
7400 x 6000 x 1000 mm approximately
Western Roads upgrade, public art commission.

Doin what you say you're gonna do
Doin what you say you're gonna do

2019, acrylic paint, watercolour pencil, cottonduck, 204 x 131 cms (unstretched)

Your best is good enough for me. 2021
Your best is good enough for me. 2021

Vinyl print on construction hoarding,
City Square Melbourne.
240 x 4310 cm
Commissioned by ACCA with Metro Tunnel
Creative Program

HOT print launch
HOT print launch

2022
4 colour screenprint in 3 editions of 15
Installation view,
Negative Press, Melbourne,
Photo – Janelle Low

Corruption
Corruption

2019
Watercolour, pencil, biro, collage
Acrylic paint, cotton thread, printed card
35.6 x 31.3 cm

It’s a world full of lying bastards
It’s a world full of lying bastards

2017 / 2020, Installation view, Enamel paint, Plywood, 246 x 432 cm. Photo; Andrew Curtis

Gutted (Installation view)
Gutted (Installation view)

2019, Darren Knight Gallery, Sydney.

Jon Campbell / Stephen Bush, Rollercoaster
Jon Campbell / Stephen Bush, Rollercoaster

2020, Acrylic and oil paint, Plywood, 90 cm round

A complete dickhead
A complete dickhead

2023
Watercolour, acrylic paint,
Grey lead pencil, paper
44.5 x 44.5 cm

Jon Campbell / Stephen Bush, Thirty eight point seven
Jon Campbell / Stephen Bush, Thirty eight point seven

1980 / 2020, Acrylic and oil paint, canvas, 168 x 183 cm. Photo, Andrew Curtis

Undressing in public prohibited
Undressing in public prohibited

2019, acrylic paint, watercolour pencil, cottonduck, 208 x 140cms unstretched.

Carry on like a pork chop
Carry on like a pork chop

2019, Monash prato Centre, Prato, Italy, installation view.

Stacks On
Stacks On

2017-18, MCA Sydney, installation view, lightboxes, screenprinted banners, wall painting.

Stiff Shit
Stiff Shit

2018, Enamel paint, Plywood, 34 x 47.5 cm

Shepparton Art Museum, Drawing Wall #28, YEAH
Shepparton Art Museum, Drawing Wall #28, YEAH

2017, acrylic paint, 4m x 12m.

Gone to see a man about a dog
Gone to see a man about a dog

July 2020, Sutton Gallery, Melbourne, installation view. Photo; Andrew Curtis

DUNNO (T.Towels)
DUNNO (T.Towels)

2012, mixed media on found T.Towels, 85 pieces, 320 x 1160 cms.

It's Not My Problem
It's Not My Problem

2016, enamel paint, plywood, 90 x 90 cms.

Snot block
Snot block

2018, acrylic paint, cottonduck, 100 x 140 cms. City of Greater Dandenong lightbox commission.

Recreation
Recreation

2023, Installation view,
Project 8 Gallery, Melbourne.
Photo – Lucy Foster

Are you fucking kidding me
Are you fucking kidding me

2012, enamel and acrylic paint, cottonduck, 102 x 61.5 cms.

Sing what you feel
Sing what you feel

2018, neon, perspex, 3m x 3m. Art Centre Melbourne, Contemporary Art Projects commission.

Just Not Australian
Just Not Australian

2019, Artspace Sydney, installation view.

Fuck Yeah
Fuck Yeah

2017, neon, enamel paint, plywood 60 x 60 x 10 cms. Ed. 2. Photo: Simon Hewson

Stacks On
Stacks On

2017-18, MCA Sydney, installation view, lightboxes, screenprinted banners, wall painting.

Naked Queen Loses Her Head
Naked Queen Loses Her Head

2016, watercolour, pencil, quache, 42 x 30 cms (as part of the series 'liz & phil revisited')

Same Old Bullshit
Same Old Bullshit

2017, installation view. Darren Knight Gallery. Photo: Simon Hewson

Charge like wounded bulls
Charge like wounded bulls

2019, acrylic paint, linen, 214 x 139 cms, (unstretched)

Installation view
Installation view

Art Basel Hong Kong, 2015, with Darren Knight Gallery.

Stacks On
Stacks On

2017-18, MCA Sydney, installation view, lightboxes, screenprinted banners, wall painting. Photo: Anna Kucera

Afternoon Delight
Afternoon Delight

2017, installation view. Ilam Campus Gallery, University of Canterbury Christchurch, NZ.

Same Old Bullshit
Same Old Bullshit

2017, installation view. Darren Knight Gallery. Photo: Simon Hewson

What The Fuck
What The Fuck

2014, enamel paint on cottonduck, 90 x 150 cms.

Queen Beatrix of the Netherlands raises the ‘yeah’ flag as part of the exhibition, DeOverkant Downunder.
Queen Beatrix of the Netherlands raises the ‘yeah’ flag as part of the exhibition, DeOverkant Downunder.

Den Hague Sculptuur, 2007, The Hague, The Netherlands.

Installation, band setlists
Installation, band setlists

Lincoln Hotel Melbourne, 2009.

Absolutely Disgusting
Absolutely Disgusting

2016, enamel paint, cotton duck, 3 panels, 160 X 160 cms each; 160 x 480 cms overall.

The Good Old Days
The Good Old Days

2016, neon, enamel paint, plywood, 90 x 90 x 15 cms.

Piss Farting Around
Piss Farting Around

2015, enamel paint, cottonduck, 180 x 240 cms.

Fuck Yeah (Matisse)
Fuck Yeah (Matisse)

2015, enamel and acrylic paint, cottonduck, 41 x 56 cms.

Fuck Yeah (Greene Street)
Fuck Yeah (Greene Street)

2015, acrylic wall painting, masking tape, mixed media, individual drawings from 1991 and 2015, 264 x 411 cms.

The Weight of Manhattan
The Weight of Manhattan

1991, acrylic paint, collage, cottonduck, 183 x 213 cms.

Backyard installation
Backyard installation

2012, as part of the Just Sing What You Feel project, National Gallery of Victoria, vinyl wall painting, vinyl wall magnets, dimensions variable.

Kebabs (neon)
Kebabs (neon)

2006, neon, enamel paint, Perspex, mdf board, 40 x 60 cms.

Just Sing What You Feel (neon)
Just Sing What You Feel (neon)

2013, neon, enamel paint, mdf board, 52 x 438 cms.

$23,000,00
$23,000,00

Installation view, 2008, Uplands Gallery, Melbourne.

Fuck Yeah
Fuck Yeah

2016, cotton and polycotton, hand stitched banner, 175 x 95 cms.

Dream Team
Dream Team

2012, Basil Sellers prize, Ian potter Museum, University of Melbourne, enamel paint, plywood, 22 pieces, 300 x 300 cms.

Personality
Personality

2015, enamel paint, cottonduck, 200 x 240 cms.

Sad Times
Sad Times

2013 enamel paint, plywood, 50 x 60 cms.

Insufficient Funds
Insufficient Funds

2009, acrylic paint, light box, as part of the exhibition Cock and Bull, VCA Margaret Lawrence Gallery, dimensions variable.

Setlist (Go-Betweens)
Setlist (Go-Betweens)

2006, enamel paint, cottonduck, 153 x 107 cms.

Insufficient funds
Insufficient funds

2007 enamel paint, cottonduck, 160 x 240 cms.

The Party
The Party

1986
Acrylic and enamel paint, cottonduck
210 x 243 cm

Yeah / Mr.Football
Yeah / Mr.Football

2009 screen-printed and hand stitched banner, 200 x 120 cms.

Yeah Yeah Yeah, (billboard)
Yeah Yeah Yeah, (billboard)

2008, as part of the Conversations project, Hobsons Bay City Council, Melbourne.  300 x 1200 cms.

Great Barrier Reef, poster
Great Barrier Reef, poster

Part of the Climate Poster Project, LAB-14 Gallery, Carlton Connect Initiative and on the streets of Melbourne. 2016, 111 x 84 cms.

Pure Bewdy, installation view
Pure Bewdy, installation view

2011, Darren Knight Gallery, Sydney.

Up Shit Creek
Up Shit Creek

2014, 3 colour lithograph on Magnani White Prescia 300 gm, edition 20, 56 x 76 cms.

Rollercoaster
Greedy
Dodgy
Speech Patterns installation view
HOT (pink circle)
Your best is good enough for me
Driving in 78
Fuck knuckle
It is what it is
Calm as a cucumber
What are you fuckin lookin at
Peace and Love
Your application was unsuccessful
Jon Campbell & Darcey Bella Arnold
Jon Campbell & Nell
Backyard. 2021
Doin what you say you're gonna do
Your best is good enough for me. 2021
HOT print launch
Corruption
It’s a world full of lying bastards
Gutted (Installation view)
Jon Campbell / Stephen Bush, Rollercoaster
A complete dickhead
Jon Campbell / Stephen Bush, Thirty eight point seven
Undressing in public prohibited
Carry on like a pork chop
Stacks On
Stiff Shit
Shepparton Art Museum, Drawing Wall #28, YEAH
Gone to see a man about a dog
DUNNO (T.Towels)
It's Not My Problem
Snot block
Recreation
Are you fucking kidding me
Sing what you feel
Just Not Australian
Fuck Yeah
Stacks On
Naked Queen Loses Her Head
Same Old Bullshit
Charge like wounded bulls
Installation view
Stacks On
Afternoon Delight
Same Old Bullshit
What The Fuck
Queen Beatrix of the Netherlands raises the ‘yeah’ flag as part of the exhibition, DeOverkant Downunder.
Installation, band setlists
Absolutely Disgusting
The Good Old Days
Piss Farting Around
Fuck Yeah (Matisse)
Fuck Yeah (Greene Street)
The Weight of Manhattan
Backyard installation
Kebabs (neon)
Just Sing What You Feel (neon)
$23,000,00
Fuck Yeah
Dream Team
Personality
Sad Times
Insufficient Funds
Setlist (Go-Betweens)
Insufficient funds
The Party
Yeah / Mr.Football
Yeah Yeah Yeah, (billboard)
Great Barrier Reef, poster
Pure Bewdy, installation view
Up Shit Creek
Rollercoaster

2021
Acrylic paint, coloured pencil, plywood
40cm round

Greedy

1992 – 2022
Printed street poster, acrylic paint
Collage, watercolour pencil
114.5 x 97 cm

Dodgy

2022
Acrylic
90h x 30w x 3d cm

Speech Patterns installation view

2022
AGWA, Jon Campbell and
Nadia Hernandez

HOT (pink circle)

2021
Acrylic paint, linen
50.5 x 40 cm

Your best is good enough for me

2023
Acrylic paint, linen
180 x 240 cm

Driving in 78

2003
Enamel paint, enamel marker, paper
59.4 x 42 cm

Fuck knuckle

2019
Acrylic paint, linen
214 x 140 cm (unstretched)

It is what it is

2022
Installation view, Darren Knight Gallery

Calm as a cucumber

2023
Acrylic paint, linen
150 x 150 cm

What are you fuckin lookin at

2014
Lithograph, ed 20.
76 x 56 cm

Peace and Love

1991
Acrylic paint, collage, pencil, cottonduck
182.5 x 60.5

Your application was unsuccessful

2022
Acrylic paint, linen
167 x 243 cm
Collection - AGWA

Jon Campbell & Darcey Bella Arnold

Land-scape
2001 – 2022
Digital print, acrylic paint, collage, cottonduck
67 x 52 cm

Jon Campbell & Nell

Gone to see…Dog/Cat
2021
Acrylic paint, mixed media, canvas, linen
110 x 160 cm

Backyard. 2021

Laser cut mild steel plate,
2 pac gloss automotive paint
Rolled steel
7400 x 6000 x 1000 mm approximately
Western Roads upgrade, public art commission.

Doin what you say you're gonna do

2019, acrylic paint, watercolour pencil, cottonduck, 204 x 131 cms (unstretched)

Your best is good enough for me. 2021

Vinyl print on construction hoarding,
City Square Melbourne.
240 x 4310 cm
Commissioned by ACCA with Metro Tunnel
Creative Program

HOT print launch

2022
4 colour screenprint in 3 editions of 15
Installation view,
Negative Press, Melbourne,
Photo – Janelle Low

Corruption

2019
Watercolour, pencil, biro, collage
Acrylic paint, cotton thread, printed card
35.6 x 31.3 cm

It’s a world full of lying bastards

2017 / 2020, Installation view, Enamel paint, Plywood, 246 x 432 cm. Photo; Andrew Curtis

Gutted (Installation view)

2019, Darren Knight Gallery, Sydney.

Jon Campbell / Stephen Bush, Rollercoaster

2020, Acrylic and oil paint, Plywood, 90 cm round

A complete dickhead

2023
Watercolour, acrylic paint,
Grey lead pencil, paper
44.5 x 44.5 cm

Jon Campbell / Stephen Bush, Thirty eight point seven

1980 / 2020, Acrylic and oil paint, canvas, 168 x 183 cm. Photo, Andrew Curtis

Undressing in public prohibited

2019, acrylic paint, watercolour pencil, cottonduck, 208 x 140cms unstretched.

Carry on like a pork chop

2019, Monash prato Centre, Prato, Italy, installation view.

Stacks On

2017-18, MCA Sydney, installation view, lightboxes, screenprinted banners, wall painting.

Stiff Shit

2018, Enamel paint, Plywood, 34 x 47.5 cm

Shepparton Art Museum, Drawing Wall #28, YEAH

2017, acrylic paint, 4m x 12m.

Gone to see a man about a dog

July 2020, Sutton Gallery, Melbourne, installation view. Photo; Andrew Curtis

DUNNO (T.Towels)

2012, mixed media on found T.Towels, 85 pieces, 320 x 1160 cms.

It's Not My Problem

2016, enamel paint, plywood, 90 x 90 cms.

Snot block

2018, acrylic paint, cottonduck, 100 x 140 cms. City of Greater Dandenong lightbox commission.

Recreation

2023, Installation view,
Project 8 Gallery, Melbourne.
Photo – Lucy Foster

Are you fucking kidding me

2012, enamel and acrylic paint, cottonduck, 102 x 61.5 cms.

Sing what you feel

2018, neon, perspex, 3m x 3m. Art Centre Melbourne, Contemporary Art Projects commission.

Just Not Australian

2019, Artspace Sydney, installation view.

Fuck Yeah

2017, neon, enamel paint, plywood 60 x 60 x 10 cms. Ed. 2. Photo: Simon Hewson

Stacks On

2017-18, MCA Sydney, installation view, lightboxes, screenprinted banners, wall painting.

Naked Queen Loses Her Head

2016, watercolour, pencil, quache, 42 x 30 cms (as part of the series 'liz & phil revisited')

Same Old Bullshit

2017, installation view. Darren Knight Gallery. Photo: Simon Hewson

Charge like wounded bulls

2019, acrylic paint, linen, 214 x 139 cms, (unstretched)

Installation view

Art Basel Hong Kong, 2015, with Darren Knight Gallery.

Stacks On

2017-18, MCA Sydney, installation view, lightboxes, screenprinted banners, wall painting. Photo: Anna Kucera

Afternoon Delight

2017, installation view. Ilam Campus Gallery, University of Canterbury Christchurch, NZ.

Same Old Bullshit

2017, installation view. Darren Knight Gallery. Photo: Simon Hewson

What The Fuck

2014, enamel paint on cottonduck, 90 x 150 cms.

Queen Beatrix of the Netherlands raises the ‘yeah’ flag as part of the exhibition, DeOverkant Downunder.

Den Hague Sculptuur, 2007, The Hague, The Netherlands.

Installation, band setlists

Lincoln Hotel Melbourne, 2009.

Absolutely Disgusting

2016, enamel paint, cotton duck, 3 panels, 160 X 160 cms each; 160 x 480 cms overall.

The Good Old Days

2016, neon, enamel paint, plywood, 90 x 90 x 15 cms.

Piss Farting Around

2015, enamel paint, cottonduck, 180 x 240 cms.

Fuck Yeah (Matisse)

2015, enamel and acrylic paint, cottonduck, 41 x 56 cms.

Fuck Yeah (Greene Street)

2015, acrylic wall painting, masking tape, mixed media, individual drawings from 1991 and 2015, 264 x 411 cms.

The Weight of Manhattan

1991, acrylic paint, collage, cottonduck, 183 x 213 cms.

Backyard installation

2012, as part of the Just Sing What You Feel project, National Gallery of Victoria, vinyl wall painting, vinyl wall magnets, dimensions variable.

Kebabs (neon)

2006, neon, enamel paint, Perspex, mdf board, 40 x 60 cms.

Just Sing What You Feel (neon)

2013, neon, enamel paint, mdf board, 52 x 438 cms.

$23,000,00

Installation view, 2008, Uplands Gallery, Melbourne.

Fuck Yeah

2016, cotton and polycotton, hand stitched banner, 175 x 95 cms.

Dream Team

2012, Basil Sellers prize, Ian potter Museum, University of Melbourne, enamel paint, plywood, 22 pieces, 300 x 300 cms.

Personality

2015, enamel paint, cottonduck, 200 x 240 cms.

Sad Times

2013 enamel paint, plywood, 50 x 60 cms.

Insufficient Funds

2009, acrylic paint, light box, as part of the exhibition Cock and Bull, VCA Margaret Lawrence Gallery, dimensions variable.

Setlist (Go-Betweens)

2006, enamel paint, cottonduck, 153 x 107 cms.

Insufficient funds

2007 enamel paint, cottonduck, 160 x 240 cms.

The Party

1986
Acrylic and enamel paint, cottonduck
210 x 243 cm

Yeah / Mr.Football

2009 screen-printed and hand stitched banner, 200 x 120 cms.

Yeah Yeah Yeah, (billboard)

2008, as part of the Conversations project, Hobsons Bay City Council, Melbourne.  300 x 1200 cms.

Great Barrier Reef, poster

Part of the Climate Poster Project, LAB-14 Gallery, Carlton Connect Initiative and on the streets of Melbourne. 2016, 111 x 84 cms.

Pure Bewdy, installation view

2011, Darren Knight Gallery, Sydney.

Up Shit Creek

2014, 3 colour lithograph on Magnani White Prescia 300 gm, edition 20, 56 x 76 cms.

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